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Aziz Saati, ((ペルシア語:عزیز ساعتی)), born in Tehran in 1948, Sa'ati graduated from the School-of Television and Cinema with a specialty in cinematography and videography. After teaching courscs on photography _and laboratory work at the School, he began his professional career as a still photographer on the set of Bahram Beizai's ''THE CROW''. Sa'ati brought a new seriousness and artistic capability to the job of set photographer, and he is noted for upgrading the standards of that position. He worked as set photographer for many of Iran's best known directors. His set photographs have won many awards and been featured in major exhibitions. Sa'ati's work as a photographer, cinematographer, and director include. ==Still Photographer== *1976 - The Crow, The Night Never End. *1977 - Tall Shadows of the Wind, Samad Goes to the Town. *1979 - The Ballade of Tara. *1982 - Death of Yazdgerd, The Red Line. *1984 - Kamal-ol-molk. 1987 - Silk and Blade, The Peddler «award winner from 7th Fajr film festival», Mission, Hadji Washington, Shadow of Trist. *1988 - Payizan, Return of Jafar Khan, Maybe Some Other Time. *1989 - The Syclist «award winner from 8th Fajr film festival», Badlands. *1990 - Snake Fang, The Lost Time, Mother. *1991 - Shadow of Imagination, Banoo, Magic Jerney. *1992 - The Love-Stricken, Wolf's Trace. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Aziz Saati」の詳細全文を読む スポンサード リンク
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